by Rose Miyonga
The 2017 Golden Globes felt quite special to me.
It felt like the first time in a long while, if not ever, that there was some decent representation, that I could look at the list of people that the establishment had deemed “the best” in television and film, and see a more diverse range of people representing the many stories that touched us this year.
Representation matters! And, I don’t just mean one token person who is not straight, white, male and able-bodied on a show written, produced and directed by a white male. What I mean is a plethora of people telling an array of stories in their diverse voices. What I mean is the use of the arts to expand collective consciousness and aid in dispelling the limited idea of normalcy.
I didn’t grow up thinking that my family was strange; my gorgeous multi-cultural, multi-racial family was my first understanding of the world. I only became aware that the wider world seemed to have more restrictive views of what constituted the most inclusive values in the world: beauty, love, family, struggle…
At its best, television and film, like all the arts, can be a mirror into your soul, shining light on the deepest truths of human existence with love and compassion, inviting us to
contemplate who we are and where we find ourselves in the world. Television has always seemed especially amazing to me because you bring the stories and characters into your home, sometimes over a period of years or even decades.
It can engender intimacy and belonging, but at its worst, it can also encourage feelings of otherness and lacking, a feeling that people who look like you don’t belong in the collective narrative or don’t deserve a space to share their stories. I inhabited this realm for a long time, and only obtained self-love through hard-learning against the popularised lack of representation.
Self-love is really hard when you feel like an island; when it feels as though every message society sends is so foreign to yourself. I grew up in a society that didn’t encourage my self-love, that subliminally, and sometimes explicitly, taught me that I was not enough and that I certainly would never be “the best”.
My society taught me loathsome self-depreciation.
Television used to encourage the most negative feelings for me. But it is gradually becoming a source of delight, a place to go to feel understood and valued.
Some day Viola or Tracee or Thandie will win an award or nominated and it will just be about them.
I hope that day is near, the day when it won’t be remarkable that someone who is colourful and unique and universal can be hailed as the best at what they do and that the next woman of colour to win a Golden Globe Best Performance by an Actress in a comedy or musical television series will not have to wait until 2052.
I hope that my children, whatever their colour, gender identity, or ability will be able to hold the television up to their faces like a mirror and proudly see themselves reflected and represented in the most beautiful and honest light.
For now, their wins are still also our wins. They are part of the long-awaited slow-dawning collective realisation that we, too, represent the world.
Post by Kay
“If not us, then who?
If not now, then when?”
John E. Lewis
As you probably know by now, ThandieKay is all about representation, so I was thrilled to stumble upon these Distant Relatives t-shirts designed by Mandy Mli.
Here is an interview we did with her.
I think it’s important in that it allows us all to be more knowledgeable and understanding generally. Creating a more balanced and mindful society/world. Representation to me is about clear well rounded communication. It should involve recognising diversity and studying various human experiences. I think it is important to recognise the richness in the experiences of those particularly left out of “popular culture” . I think it’s also about opening up that room for truthful dialogue and thus better understanding
It’s motivates me to celebrate and create on behalf of the underrepresented (and often misrepresented). It motivates me to paint and promote a different picture to the one handed to me from birth and hopefully inspire others to do the same. To paint their own picture of their world and experience. And with that I always like to support those who are doing the same. Representation to me should be about being able to tell your own story and inspiring others to do the same, all chapters included.
Distant Relatives itself was actually inspired by a few things, including my own cultural observations and further by an interview I heard, David Banner discussing his new direction/perspective now being more overtly culturally conscience in his music and using his platform to share knowledge and push towards building and educating his community.
Working in education, teaching in early years education and designing as a hobby (and considering going back to university to study a postgraduate degree in Social Entrepreneurship.)
It would be hard to pinpoint one thing that inspired me but music,was a huge influence as far as opening my mind to different experiences, perspectives and the art of story telling. at one point I was learning how to DJ. I loved all things 90s, music videos and all. I still do.
I would like to collaborate more with different artists and individuals. I see Distant Relatives as a collaborative brand. I also hope to expand the product line to include a variety of other accessories and products. Also working towards balancing a more design focused aesthetic whilst still being able to convey an important message.
Making and selling personalised and affirmative accessories. And constantly looking for ways to support social enterprise. And pretty much everything I am currently involved in is about mixing creativity, conversations and promoting positive energy. Directing energy to the things that I think are the important.
Photo: Ol Parker